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Oil Paintings Come From United Kingdom
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VOUET, Simon
French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

 

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VOUET, Simon Madonna of the Basket oil painting

Painting ID::  30041

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VOUET, Simon
Madonna of the Basket
mk67 Oil on panel 52x38 3/8in Uffizi,Gallery
   
   
     

 

 

VOUET, Simon Annunciation oil painting

Painting ID::  30573

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VOUET, Simon
Annunciation
mk68 Oil on wood Florence,Uffizi, c.1645-1649 France
   
   
     

 

 

VOUET, Simon Annunciation oil painting

Painting ID::  30949

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VOUET, Simon
Annunciation
mk68 c.1645-1649
   
   
     

 

 

VOUET, Simon Recreation by our Gallery oil painting

Painting ID::  32616

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VOUET, Simon
Recreation by our Gallery
mk79 1626
   
   
     

 

 

VOUET, Simon Magdalene oil painting

Painting ID::  51186

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VOUET, Simon
Magdalene
1614-15 Oil on panel, 63 x 49 cm
   
   
     

 

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VOUET, Simon
French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting